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Start New Career in Art | Alexandra Novik-Khamis
I am very often hear that people don’t feel like to start something new at pretty old age; especially if all their life they have been doing totally different activities. Same with art, people don’t want to start painting after 40-50 as they are convinced that if they did not do it before they don’t really have talent then why even try. I believe that everyone can start something new at any age. A lot of painters and musicians are started their careers at very late 40s. And there is nothing wrong with it. As long as you feel inspiration and need for it then go on. Years ago, people graduated from school, got a job and worked at the same company until they retired. Today, it's unusual for a young worker to stay at the same job for more than a few years in the first decade of their career. It's also becoming more common for workers to make a midlife career change, and completely switch gears after spending half of their adult life in the same industry. People want to b...
10 Sketchbook Ideas. How to Start Art Journaling.
How important sketchbook in artists life? In my opinion is one and only way to keep your ideas in order and track your creative development. Every artist (does not matter if beginner, art student or professional) must have sketchbook and paint/ sketch every day. Sketchbook is not only place where you are sketching randomly and use it only when you are bored. It must be used every day. So today I will tell you 10 main sketchbook development ideas if you are only started including sketchbooks in your art life. 1. Visual diary – the most easiest and common way artists use sketchbooks. Basically you are just writing your diary and including illustrations. Or as I suggest for my young art students – you must draw/paint at least 1 significant picture per day in your sketchbook. The most important thing what happened today. Try to remember the details and illustrate it. As well as that it can be self-portraits from month to month. 2. Experimenting tool – the second most com...
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In a culture obsessed with measuring talent and ability, we often overlook the important role of inspiration. Inspiration awakens us to new possibilities by allowing us to transcend our ordinary experiences and limitations. Inspiration propels a person from apathy to possibility and transforms the way we perceive our own capabilities. Inspiration may sometimes be overlooked because of its elusive nature. Its history of being treated as supernatural or divine hasn’t helped the situation. But as recent research shows, inspiration can be activated, captured, and manipulated, and it has a major effect on important life outcomes.
Inspiration has three main qualities: evocation, transcendence, and approach motivation. First, inspiration is evoked spontaneously without intention. Inspiration is also transcendent of our more animalistic and self-serving concerns and limitations. Such transcendence often involves a moment of clarity and awareness of new possibilities. The heights of human motivation spring from the beauty and goodness that precede us and awaken us to better possibilities.
This moment of clarity is often vivid, and can take the form of a grand vision, or a “seeing” of something one has not seen before (but that was probably always there). Finally, inspiration involves approach motivation, in which the individual strives to transmit, express, or actualize a new idea or vision. Inspiration involves both being inspired by something and acting on that inspiration.
Inspired people share certain characteristics. "Inspiration Scale,” which measures the frequency with which a person experiences inspiration in their daily lives. They found that inspired people were more open to new experiences and reported more absorption in their tasks. “Openness to Experience” often came before inspiration, suggesting that those who are more open to inspiration are more likely to experience it. Additionally, inspired individuals weren’t more conscientious, supporting the view that inspiration is something that happens to you and is not willed. Inspired individuals also reported having a stronger drive to master their work, but were less competitive, which makes sense if you think of competition as a non-transcendent desire to outperform competitors. Inspired people were more intrinsically motivated and less extrinsically motivated, variables that also strongly impact work performance. Inspiration was least related to variables that involve agency or the enhancement of resources, again demonstrating the transcendent nature of inspiration. Therefore, what makes an object inspiring is its perceived subjective intrinsic value, and not how much it’s objectively worth or how attainable it is. Inspired people also reported higher levels of important psychological resources, including belief in their own abilities, self-esteem, and optimism. Mastery of work, absorption, creativity, perceived competence, self-esteem, and optimism were all consequences of inspiration, suggesting that inspiration facilitates these important psychological resources. Interestingly, work mastery also came before inspiration, suggesting that inspiration is not purely passive, but does favor the prepared mind.
Inspiration is not the same as positive affect. Compared to the normal experiences of everyday life, inspiration involves elevated levels of positive affect and task involvement, and lower levels of negative affect. Inspiration is not the same state as positive affect, however. Compared to being in an enthusiastic and excited state, people who enter an inspired state (by thinking of a prior moment they were inspired) reported greater levels of spirituality and meaning, and lower levels of volitional control, controllability, and self-responsibility for their inspiration. Whereas positive affect is activated when someone is making progress toward their immediate, conscious goals, inspiration is more related to an awakening to something new, better, or more important: transcendence of one’s previous concerns.
Inspiration is the springboard for creativity. Inspired people view themselves as more creative and show actual increases in self-ratings of creativity over time. Inspired writers are more efficient and productive, and spend less time pausing and more time writing. The link between inspiration and creativity is consistent with the transcendent aspect of inspiration, since creativity involves seeing possibility beyond existing constraints. Importantly, inspiration and effort predict different aspects of an activity. Individuals who exerted more effort writing spent more of their time pausing, deleted more words, wrote more sentences per paragraph, and had better technical merit and use of rhyming in poems, but their work was not considered more creative.
Finally, inspired individuals reported experiencing more purpose in life and more gratitude.
This does not mean that inspiration is completely outside your control. Contrary to the view of inspiration as purely mythical or divine, I think inspiration is best thought of as a surprising interaction between your current knowledge and the information you receive from the world. There are things you can do to increase the likelihood of inspiration occurring. Research shows quite clearly that preparation (“work mastery”) is a key ingredient. While inspiration is not the same as effort, effort is an essential condition for inspiration, preparing the mind for an inspirational experience. Openness to Experience and positive affect are also important, as having an open mind and approach-oriented attitude will make it more likely that you will be aware of the inspiration once it arrives. Small accomplishments are also important, as they can boost inspiration, setting off a productive and creative cycle.
To become personally inspired, the best you can do is set up the optimal circumstances for inspiration. As a society, the best we can do is assist in setting up these important circumstances for everyone. An easy first step is simply recognizing the sheer potency of inspiration, and its potential impact on everything we do.
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